November 29, 2014

Florence Griswold Museum to Hold Annual Benefit Auction

On Saturday, Sept. 25, the Florence Griswold Museum will be filled with high spirited partygoers during its 28th Annual Benefit Auction and Dinner Dance. This year’s theme, An Evening in the Country hints of the casual elegance that surrounded the parties given by the artists of the Lyme Art Colony. All proceeds directly support the Museum’s education and outreach programs on Connecticut’s art, history, and landscape. The evening features cocktails, live and silent auctions, a seated dinner prepared by Jonathan Rapp and River Tavern of Chester, and music by the Shiny Lapel Trio.

The Auction will begin at 6pm and will feature 140 outstanding treasures including extraordinary paintings and drawings from regionally and nationally known artists, a variety of jewelry and decorative objects, and very special trips and services. Reservations are required and can be made online at www.FlorenceGriswoldMuseum.org. For more information, contact Sarah at 860-434-5542, ext. 122. Tickets will start at $150.

The Florence Griswold Museum gratefully appreciates Webster Bank and Connecticut Light & Power for their support of the Auction Benefit.

Located on an 11-acre site in the historic village of Old Lyme, the Florence Griswold Museum is known as the Home of American Impressionism. In addition to the restored Florence Griswold House, where the artists of the Lyme Art Colony lived, the Museum features a modern exhibition gallery, education center, a new landscape center, extensive gardens, and a restored artist’s studio. The Museum is located at 96 Lyme Street, Old Lyme, CT, exit 70 off I-95 and is open year round Tuesday through Saturday from 10am to 5pm and Sunday 1 to 5pm.

With Needle and Brush: Schoolgirl Embroidery From the Connecticut River Valley

Starting  Oct. 2, 2010 through Jan. 30, 2011 the Florence Griswold Museum in Old Lyme, Connecticut, will be presenting With Needle and Brush: Schoolgirl Embroidery From the Connecticut River Valley.

 The Connecticut River Valley was one of the most important centers in America for the teaching and production of embroidered pictures by girls and young women in private academies during the late eighteenth and early nineteenth centuries. As the first exhibition to examine the subject of Connecticut River Valley needlework in depth, With Needle and Brush contributes to the understanding of the traditions of needlework and provides insight into the nature of women’s schooling before the advent of widespread public education. Guest-curated by needlework experts Carol and Stephen Huber, this exhibition of approximately sixty embroideries, watercolor sketches, and portraits will draw extensively on works from private collections, many never before shown publicly.

Over the course of their education, girls undertook progressively more complex and difficult needlework. Before the age of ten, they began with elementary samplers worked on linen and gradually developed a repertory of stitching techniques. During their studies, they executed canvaswork pieces, samplers, memorials, and silk pictures as evidence of the skills and accomplishments that would demonstrate their suitability as wives capable of managing a household and educating children. Proudly displayed in a family’s home as an enticement to potential suitors, these pictures and memorials affirmed a young lady’s mastery of the principles of “politeness”—a concept that encompassed knowledge of religious and literary themes as well as an appreciation for art and music.

Jeptha’s Rash Vow (ca. 1810)

The exhibition illuminates the evolution of needleworking techniques as well as tracing the distinctive styles and subjects associated with the mistresses of various girls’ schools throughout the Connecticut River Valley. At the academy run by Lydia Royse in Hartford, pupils specialized in allegorical or historical subjects based on print sources, which they replicated in gleaming silk thread. One such piece is Jeptha’s Rash Vow (ca. 1810), which presents the Biblical tale of a father obligated to sacrifice his only daughter to fulfill his pledge to God that, in exchange for a military victory, he would kill the first thing he sees upon returning home. “Needleworks like this one are truly extraordinary in their aesthetic and intellectual sophistication, and as windows into early American values” says Florence Griswold Museum Curator Amy Kurtz Lansing. “The unknown girl who stitched this picture is affirming the religious tenet of subservience to God, and doing so through a subject that was also explored around this time in poems, prints, and even an oratorio by Handel. Through their needlework, girls from even small towns were introduced to and participated in wider cultural currents.” For instance, girls at the Misses Pattens’ School, also in Hartford, worked lavish heraldic and allegorical compositions, often accented with gold filaments. Each piece of needlework unifies the combined talents and aspirations of the girl, her family, her instructress, and the visual artists often called upon to paint in portrait heads that would complete each piece.

The exhibition will be followed by a fully-illustrated book with essays and entries by the Hubers, an essay by independent scholar Susan Schoelwer, and an introduction by Amy Kurtz Lansing. The book will be published in 2011 in conjunction with Wesleyan University Press.

Located on an 11-acre site in the historic village of Old Lyme, the Florence Griswold Museum is known as the Home of American Impressionism. In addition to the restored Florence Griswold House, where the artists of the Lyme Art Colony lived, the Museum features a modern exhibition gallery, education center, a new landscape center, extensive gardens, and a restored artist’s studio. The Museum is located at 96 Lyme Street, Old Lyme, CT, exit 70 off I-95 and is open year round Tuesday through Saturday from 10am to 5pm and Sunday 1 to 5pm. Admission is $9 for adults, $8 for seniors, $7 students, and free to children 12 and under. For more information, visit the Museum’s web site www.FlorenceGriswoldMuseum.org or call 860-434-5542 x 111.