December 11, 2018

CT Early Music Festival Continues Tonight with Bach Program in New London

CT Early Music FestivalAREAWIDE — Music and drama have been linked since Antiquity, when Greek drama evolved from choruses that recited poetry. This year’s Connecticut Early Music Festival program explores music’s relationship to the theatrical modes of tragedy and comedy. From the music of the commedia dell’arte to dramatic and comic moments in Beethoven’s violin sonatas, this year’s concerts demonstrate works of music as works of theater.

The festival offers three pairs of concerts over the first three weekends in June. The Saturday, June 20 concert is at the First Congregational Church of Old Lyme and the Sunday, June 14 concert was at the La Grua Center in Stonington; all the remaining concerts are at Evans Hall in Connecticut College.

Tickets can be ordered online at this link.

The full program for the final concerts this weekend is as follows:

Week Three

The Baltimore Consort
MUSICK’S SILVER SOUND: HEAVENLY
HARMONY AND EARTHLY DELIGHT
IN THE BRITISH ISLES, FRANCE, AND SPAIN
Saturday, June 20 – 7:30 p.m.
First Congregational Church of Old Lyme

The Baltimore Consort has delighted audiences on both sides of the Atlantic for 35 years. Its mixed ensemble of viols, recorders, plucked-string instruments, and voice could be called “Shakespeare’s Stage Band.” In this spirit, the ensemble performs existing and new arrangements of tunes popular in Shakespeare’s time from England and Continental Europe.

Connecticut Early Music Ensemble
TRAGEDY AND COMEDY IN BACH’S CANTATAS
Weinen, Klagen, Sorgen, Zagen (BWV 12) and
Hercules auf dem Scheidewege (BWV 213)
Sunday, June 21 – 5 p.m.
Evans Hall, Connecticut College, New London
Pre-Concert talk by Dr. Eric Rice – 4 p.m.
All are welcome to attend a reception after the performance

These two cantatas by J.S. Bach both contain ravishing music that the composer saw fit to use in later compositions: BWV 12, a meditation on the afflictions Christians have to endure, became the Crucifixus of the Mass in B Minor, and BWV 213, a dramma per musica written for the birthday of the crown prince of Saxony, was recast as part of the Christmas Oratorio.

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